Funakoshi Gichin was born on Nov 10, 1868 in Yamakawa, Shuri, Okinawa Prefecture. He was of samurai lineage, from a family which in former times had been vassals of Ryukyu Dynasty nobles.

By age 11 he had already made a name for himself in Ryukyu-style martial arts. Beginning his training under
Master Azato Anko, it wasn’t long before he equaled his master in ability, andshared with him the distinction of being the “most accomplished” martial artist in the field. He also learned karate-jutsu (written with characters that mean “Chinese-hand martial art”) from Master Itosu Anko. Both his teachers were impressed by his nobility of character.

As over the years he pursued his raining and continuously developed his remarkable skills, Master Funakoshi
became chairman of the Okinawa Martial Arts Society, as well as an instructor at the Okinawa Teacher’s School. Then in 1922, when he was 54 years old, he introduced Okinawan karate-jutsu at the first Ministry of Education (now Ministry of Education, Science, Sports, and Culture)-sponsored Physical Education Exhibition. This introduction, the first ever public display of karate-jutsu in Japan, was a stunning success. The previously unknown martial artist Funakoshi Gichin rose to instant fame throughout the Japanese world of martial arts.

Immediately the founder of modern judo, Kano Jigoro, invited Master Funakoshi and his pupil Gima Shinkin to the Kodokan judo dojo to give a demonstration of kata. The highly-attended event filled the Kodokan dojo to capacity. It was so well-received that Master Funakoshi found himself pressed on all sides to stay in Tokyo.

Excited by the opportunity to further promote the martial art that he had done so much to introduce to Japan,
Master Funakoshi subsequently began teaching it at Tokyo’s Meiseijuku, a dormitory for Okinawan students. In 1922, he published a book entitled “Ryukyu Kempo Karate.” It was the first formal exposition in Japan on the art of karate-jutsu. Not only were its contents fresh and novel, it was also beautifully written, and immediately created an unprecedented karate boom.

As the popularity of karate-jutsu began to spread, Master Funakoshi produced the first ever “Dan Ranking
Certification” in April, 1924.

Around the same time, with the encouragement of his teacher of Buddhism, Abbot Furukawa Gyodo of Enkakuji Temple in Kamakura, Master Funakoshi started practicing Zen. He contemplated the well-known Buddhist teaching that says “form is emptiness and emptiness is form.” He began to see the relevance of that teaching to his martial art, and ultimately changed the characters for karate from kara + te (“Chinese” + “hand”) to kara + te (“empty” + “hand”).

In order to popularize the “local” Okinawan martial art in the rest of Japan, Master Funakoshi synthesized a
complete system of techniques and theory, and changed the Chinese and Okinawan names of the kata into
standard Japanese. In 1929, after much thought and reflection, he also changed the name of karate-jutsu (“Chinese-hand martial art”) to karate-do (“the way of karate,” or “the way of the empty hand”). He then defined the Twenty Precepts of Karate, and established a grand karate philosophy.

At last the way of karate had come into its own, and was gaining popularity all across Japan. The number of people wishing to begin training was growing daily—so much so that it became difficult to find a place to hold all those who wished to practice. So in 1939 Master Funakoshi established the “Shotokan” dojo, which he built at his own expense. (“Shoto” was the literary first name he used when doing calligraphy and writing poetry. “Shoto” means “Pine Waves,” and refers to the sound of wind blowing through the pines, which resembles the sound of ocean waves.)

By this time, Master Funakoshi had long been teaching karate to high-school and university students. As a result, karate clubs had sprung up at higher education institutions all over Japan—which is another reason why karate has become as respected as it is today.

In the air raids of World War II, the Shotokan dojo was destroyed, and the growth of karate came to a halt. But
after the war, followers of Funakoshi’s way re-grouped, and in 1949 they formed the Japan Karate Association, with Funakoshi Gichin as Supreme Master.

On April 10, 1957, the Ministry of Education gave official recognition to the JKA, and it became a legal entity. A
mere sixteen days later, at the age of 89, Master Funakoshi passed away. A large public memorial service was held at the Ryogoku Kokugikan (Ryogoku National Sumo Hall), attended by more than 20,000 people, including many famous names who came to pay their respects.

A memorial monument to Master Funakoshi was established at Enkakuji Temple in Kamakura. Members of the JKA pay an honorary visit on April 29th each year, the date of the Shoto Festival.

Master Sugiura Motokuni was born on Oct 4, 1924 in Aichi Prefecture. His karate career began in his youth, when he became a student of Shotokan karate. At university he studied under Supreme Master Funakoshi Gichin, and especially with Funakoshi’s second son Yoshitaka. He attained his 1st Dan at age 20.

After graduation in 1944, Master Sugiura spent a year in the Tsuchiura Navy Flying Corps, but he soon returned to the martial art he loved, resuming his karate training under Master Nakayama Masatoshi while holding a job at a junior college in Tokyo. During these years, he attained the rank of 3rd Dan.

In 1955, Master Sugiura gave up his job at the junior college and began working full-time in the JKA’s Guidance Division. He was also appointed director of the JKA, and assigned to managing the instructors at the headquarters dojo. It was the start of a lifetime of contribution to the art of karate. Not only did he teach at the JKA headquarters dojo, but he also helped establish the rules for tournaments, refereed at matches, and coached at as many as five universities around Tokyo.

In 1958, a year after the Japanese government granted the JKA official recognition, Master Sugiura received his university license as a Physical Education instructor. Over the next five years, he was a part-time Physical Education teacher and lecturer at Asia University, while also attaining his 6th Dan.

In the next decade he began producing materials to help promote the way of karate around the world. In 1961, he helped to edit the textbook “Basics of Karate-do”, which identified some common, basic errors in karate techniques. In 1963, he created a six-volume, English-language 8mm film entitled “Karate Seminar.” In the summer of the same year, he resigned as Director of the JKA, and became a full-time Physical Education teacher.

Master Sugiura’s circle of activities continued to expand. He served as president of the Koganei City Karatedo Federation and Physical Education Association. He joined the Japan Martial Arts Society. And he began creating, in partnership with Kodansha International Ltd., a five-volume video series in Japanese and English on the kata.

Soon Master Sugiura’s efforts were attracting attention outside Japan. He was invited to China and Taiwan for the Japan Friendship Karatedo Cup. Then, in August 1975, he went to Los Angeles and Hawaii to attend the International Amateur Karate Federation general meeting and see the JKA-sponsored 7th IAKF Championship. Shortly thereafter, “Monthly Karate-do” magazine began publishing his column.

1976 was another big year for international karate. In August 1976, Master Sugiura—now an 8th Dan, a Karate Technical Committee member, and a full-time professor at Asia University—accompanied the university Alumni Association on an historic visit to Indonesia. Then he was sent to the U.S. to observe how karate was being taught at several American universities.

The next year, Master Sugiura completed his thesis “A System of Karate-do,” which discussed the true essence of karate. He spent the next few years creating “Teaching Materials for Karate-do as Physical Education.” And in 1989, he drafted the supplementary karate guidelines for these materials.

In March 1990, Master Sugiura retired from his post at Asia University, and the next year was appointed as Chief Instructor of the JKA. In 1992, he received his 9th Dan.

One of Master Sugiura’s greatest gifts to the JKA has been his consistent focus on the basics: kihon, kumite and kata. As he emphasizes, kihon teaches us how to move, ensuring our technique is flawless; kumite teaches us how to concentrate, and how to best apply our technique for maximum power; kata teaches us both at once—and opens the way to the body-mind unity that is the soul of karate